
Blowup (as in screen credits, also rendered as Blow-Up) is an award-winning 1966 British-Italian art film directed by Michelangelo Antonioni and was that director's first English language film. It tells the story of a photographer's involvement with a murder case. The film was inspired by the short story "Las Babas del Diablo" by Argentinian writer Julio Cortázar, and by the work, habits, and mannerisms of Swinging London photographer David Bailey. The story concerns a photographer (Hemmings) who may or may not have inadvertently preserved evidence of a murder, which may or may not involve a woman (Redgrave) who visits the photographer in his studio. As is typical with Antonioni films, the story does not follow a conventional narrative structure.
As a professional photographer, the main character mixes with the rich and famous in the London of the sixties. One day he chances upon two lovers in a park and takes photos of them. The woman of the couple pursues him, eventually finding his apartment and desperately trying to get the film. This leads the photographer to investigate the film, making blowups (enlargements) of the photos.

**Michelangelo Antonioni, (September 29, 1912 – July 30, 2007) was an Italian modernist film director whose films are widely considered as some of the most influential in film aesthetics. The first, Blowup (1966), which was set in England, was a major success. Although it dealt with the challenging theme of the impossibility of objective standards and the ever-doubtable truth of memory, it was a successful and popular hit with audiences, no doubt helped by its sex scenes, which were explicit for the time.
As a professional photographer, the main character mixes with the rich and famous in the London of the sixties. One day he chances upon two lovers in a park and takes photos of them. The woman of the couple pursues him, eventually finding his apartment and desperately trying to get the film. This leads the photographer to investigate the film, making blowups (enlargements) of the photos.

**Michelangelo Antonioni, (September 29, 1912 – July 30, 2007) was an Italian modernist film director whose films are widely considered as some of the most influential in film aesthetics. The first, Blowup (1966), which was set in England, was a major success. Although it dealt with the challenging theme of the impossibility of objective standards and the ever-doubtable truth of memory, it was a successful and popular hit with audiences, no doubt helped by its sex scenes, which were explicit for the time.

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